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But I mostly used to draw to secretly inhabit the kind of male body I didn’t have.Īs a comics nerd I found your work very interesting for it innovative power, but also for its disorienting quality.
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In my primal imagination there always was a girl who wanted to fly, to free herself from a condition she didn’t belong to, who was tethered to “threads” and was half-robotic, always prisoner of something – and then a boy right out of my dream world, free and magnetic, whom I put onto paper as I dreamed him. One of the things I clearly most sublimated was the anger I felt toward my female physical development during my early teens. Drawing really helped me to bring my emotional turmoil out, allowing me to study it from an outside perspective. Among them there were an excess of emotivity and my inability to verbally express everything I felt. The little I gathered through many years of therapy and self-analysis is that everything probably stems from the need to manage certain forces that possibly were stronger inside me than in other persons. What lies in my mind’s depths remains a big mystery: the more I dig down, the more I find there is no actual bottom nor end to it. Hello, and my heartfelt thanks for this cool interview! I am a 34 years old boy who was born as a girl, who always felt the drive to draw and to use that medium to express himself, since I wasn’t much good with words. Hi, Samuel! Having read Nine Stones I am really curious to uncover what lives in the depths of your mind… but it is maybe better to begin with the basics. Could I let the opportunity to interview him elude me either? So I couldn’t resist studying what the audience was for such an odd thing… and while I was at it I discovered the definitely peculiar relationship it has with the creator, my fellow countryman Samuel Spano. However, Nine Stones is also a pretty good work indeed – it is growing into a serious publishing success, and it has an absurdly large fanbase for such an anomalous comic. All in all, it should be the kind of product I really couldn’t care less for. Nine Stonestoo is a webcomic that eventually reached the newsstands, but it substitutes the lesbian protagonists with a couple of (adolescent, not adult) boys instead of portraying safe, sane & consensual games it goes for gory violence it ignores the western style to flirt with manga, and while it is at that, it sets its story among crime, filth and insanity instead of fashionable digital economy. Remember my fanboy-ish applause for Sunstone, the graphic novel I loved for its realistic and positive approach to the reality of BDSM? A couple of months ago I also met its evil twin: a perfect nemesis that negates everything that work represented.